Have I ever used one of my siblings as a character? No. They might not like the book or the character (even a heroic one) if they recognized I used them. However, they and everyone I know well affect my writing, probably unconsciously. They are the persons who taught me about human characteristics: personalities, emotions, behaviors, how they react to both good and bad situations. So while none of my characters are based on them, they are the basis for all I know about people.
Saturday, December 18, 2021
My Family in My Writing
Have I ever used one of my siblings as a character? No. They might not like the book or the character (even a heroic one) if they recognized I used them. However, they and everyone I know well affect my writing, probably unconsciously. They are the persons who taught me about human characteristics: personalities, emotions, behaviors, how they react to both good and bad situations. So while none of my characters are based on them, they are the basis for all I know about people.
Saturday, November 20, 2021
Evil Characters
Evil bings |
In Stone House Farm the rejected fiancee of the hero and an ex-husband of the heroine want retribution. Not getting what she wants (his wealth and prestige) leads the ex-fiance to try to kill the man who didn't want her, and the ex-husband tries to get more money from his ex-wife.
In Rogue's Rules, there are two evil characters. One is Morgan Dachs, who, to save his life and ship, traded thirteen fellow crewmembers to a slaver. Morgan's uncle-in-law, Durrant Rosche, uses the powerful Dachs name, and their wealth, for his personal gain. While they were bad, in Angels Tread readers learn it was another powerful person who was controlling them. And Admiral Ries Vaughn used his rank and power to get whatever he wanted.
In Constantine's Legacy, a high-ranking priest has a fraudulent document made that says Emperor Constantine the Great gave the Church his lands in Italy when he moved the court to Byzantium. He ends up trying to kill the story's hero who knows the truth.
The judgment on the good or
evil of a person depends on many things. The world's human populations are complicated
as well as their history. What's good in one country can be evil in another. During their early development, people lived in tribes
whose individuals helped protect each other, but often annihilated other
tribes. Our history shows this tendency continues between certain populations
and countries. Individuals have the same tendencies. How each person is raised
and their mental outlook has a great influence on whether they are considered a
good or bad person. And certainly, like the Earth, they have polar opposites
that can switch from good to evil or vice-versa for their own survival.
Part of writing is showing how a character's history and his or her outlook will develop how they can become evil.
On the other hand, I have witnessed strangers bestowing great kindness. I was once ringing up a customer's bill, but her card wouldn't cover the cost. The man in line behind her said he'd pay it. And he did—over eighty dollars. This works in writing stories, too, as it shows how a character's behavior lets the reader judge their goodness or evilness.
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Thursday, November 11, 2021
Stone House Farm released!
This is a sort-of contemporary romance novel as it is set in 2009, when I originally wrote it. It is set in Manistee, Michigan, near the shores of Lake Michigan.
Here is an excerpt from the story's beginning:
Amanda pushed through the glass front door
expecting to have to plow past secretaries and assorted office henchmen, but as
luck would have it, Wade Preston stood in the reception area talking with his
partner, Edward Van Haitsma. Wade’s height and dark hair made a strong contrast
to his partner’s shorter frame and fair hair. Both were good looking by
anyone’s standard. Wade held a stack of papers. The two men looked as if they
had just finished a heated discussion.
“Whatever you want!” Van Haitsma said as
he turned and walked away, his shoes pounding an upset rhythm on the refinished,
highly polished oak flooring.
Preston’s fiancée, Melissa Rillema, stood
nearby with her arms crossed. A pout marred the perfection of her face. Since
only the woman’s mouth moved, without a hint of frown lines, Amanda snorted,
suspecting cosmetic injections. Melissa would make a perfect wife for Wade. Two
beautiful, congenial rich rats running in a social superiority maze. Melissa’s
long blonde hair rippled about her shoulders as she turned her head to glance
at Amanda, then back to Wade who had walked over to her.
As she strode forward to interrupt the
couple’s private interlude, Wade looked over at her, anger etching his face.
She checked her step before charging ahead. Hell, he had to expect a storm
after the letter he sent her. As Wade watched her approach, his face firmed
into what Amanda privately called the bulldog behind the businessman’s mask. It
infuriated her to have to spend her precious lunchtime taking care of this
matter. This time, she would talk to Wade Preston face-to-face and make her position
clear.
“Mrs. Carter, how can I help you?”
He recognized her?
His voice and demeanor were politely bland, but remnants of anger lingered in
lines around his handsome features. He called her by her married name,
something she had discarded after her divorce.
“It’s Ms. Blanchard, now. You can help me,
Mr. Preston, by accepting the fact that I do not want to sell my property. Not
now, and not in the future. Furthermore, I will not let you steal it from me.”
Heads turned toward the sound of her angry tones. Most looked like employees
and quickly looked away when Amanda stared back at them. Wade’s face deepened
in color, his mouth and jaw set, his eyes darkening.
She waved the envelope under his nose. He
took it, looked at the address, and pulled the sheets from inside. His brows
scrunched lower as he read.
“You’ve received an offer at a fair-market
price,” Wade said, his voice firm, low and controlled. Her temper eased
slightly seeing the wrinkle between his brows as he looked at her letter.
Melissa smiled pityingly at Amanda. “I
would think in your dire circumstances, Wade’s offer was manna from Heaven.”
Her tone one of pure condescension.
“Stay out of this,” Wade said with a
fierce gaze at his fiancée. Amanda thought Melissa’s smile more smirk than
compliance and doubted the woman had even heard her lover.
“What could you possibly know about my
situation?” Amanda said. “And how does any of this involve you?”
The smile never faltered. “I understand it
is a very generous offer.”
Amanda’s rage fired anew. Melissa had no
part in this, and her opinion was not only unneeded but also unwanted.
“Generous if I were willing to sell out what my family has worked generations
to build. I’m not.” Amanda turned back to Wade Preston, grabbed the letter from
his hand, and clutched it in her fist.
His frowning gaze turned to Amanda, his
brows lowering until they nearly touched. “I don’t know what you are alleging.
As I said, this is an offer at a fair market price for your property.”
“You missed the threat of an eminent
domain seizure. I don’t care what dirty tricks you try with the bank, or the
county Planning Department, or the Commissioners, or the township board. I will
fight you every step of the way.”
“Then you better hire a lawyer,” Melissa
cut in with a practiced tinkling sound that substituted for a laugh.
“Melissa…” Wade’s tone held a warning and
his scowl deepened.
Amanda kept her regard on Wade, hoping her
expression said I am not backing down. If not pumped with so much adrenaline,
she would never have felt so defiant, but Melissa’s confidence ate at her
self-assurance. Her diffident side advised retreat. Having said what she
wanted, she turned on her heel and swept out of the office, escaping any
further humiliation.
Imagine Amanda finding Wade a chapter later lying in her snow-covered orchard unconscious and shot!
Saturday, October 23, 2021
Scariest Halloween
Halloween was always an adventure for me─walking the neighborhood in the dark of night─what could be scarier? Yet, I was always with my brothers and sisters, and because of the costumes didn't think any neighbor would recognize us. It was fun pretending to be hobgobblins.
But as per the post previous to this one, I've experienced very strange things happening on Halloween.
Now, because I live in the country outside a village on the backside of nowhere Michigan (but a beautiful area and friendly community), I no longer have trick or treaters coming to the house. I loved those who came to our door in Lansing, Michigan, and in Harvester, Missouri. Yet the scariest Halloween was crafted by my husband and the neighbor across the street on Teel Street in Lansing─a neighborhood street with no businesses on it.
A few cars had been cruising down our neighborhood street at a very fast pace. It was dark and too many children still walked the sidewalks and frequently made unexpected street crossings. Bill and Dick decided to slow some speeders down.
They made a fabric ghost and strung it between the two trees opposite each other on the street with drawstrings attached. When a car came by going way too fast, they dropped the ghost on the car's windshield (only to a couple cars). One driver slammed on his breaks but kept going. Shortly a cop car showed up. A driver had reported someone threw something on his windshield. Bill asked, "You mean the one going way faster than the twenty-five-mile speed zone?"
The cop looked up and saw the ghost hanging, smiled, but said, "Don't do it again," and quickly left. No more speeders that Halloween night.
It just shows you what good hobgobblins can accomplish.
On the other hand, I made my daughter's witch-princess costume and took her to the local mall where a costume contest was taking place. She came away with first prize! Halloween is supposed to be fun!
Meridian Mall, 1977 best costume |
Saturday, October 16, 2021
Halloween 1995, Dad's Dying
I calm Karen while briefly profaning my mother for worrying my daughter. My mother, who has called my number weekly for decades without a problem. I curse myself. Mom must be in a real state if she cannot dial the phone. I tell Karen it will be all right. "We have expected this. It’s for the best." I hear the tears in her goodbye. She hangs up.
“I know.” I’ve not been able to go all the times my father had been supposedly dying. I’ve received many calls telling me to expect Dad’s death, only to wait days to learn he pulled through one more time. I listen to Jim tell of his dilemma at work. I listen, but my thoughts slip into another channel. Dad has been dying at least six times in the last ten years. Each time was very serious, the doctors telling my mother he would not pull through. Memories flash through my mind.
Shortly after I was married, Dad lost an eye in a freak accident with a dropped baby aspirin bottle smashing into the bathroom sink. The emergency room would not touch him. They made an appointment with him for a specialist. The specialist could not see him for two days. Well, with glass embedded in his eye, he could not see any way, but by the time the doctor saw him, it was too late. They tried to save the eye, but for the year it was left in, he was in such pain that afterward, he could remember nothing of that year. From then on he had a glass eye.
Years after that accident, he had five bypass heart surgeries in a time when you stayed in the hospital for weeks. At the time of the first one, I lived in Lansing, and I waited with my family in the waiting room for the long surgery. A migraine started and I remember little. On the way home I had to have Bill pull to the side of the road, so I could vomit.
That had been years ago. The lung specialist said the heart surgeon had to have known. “They had to physically lift these lungs out of the way to get to the heart,” he told my parents. “They had to have seen.”
Years ago, when urban renewal had taken his Citgo service station, they gave him nineteen thousand dollars because that was all the property was worth. Riverfront property, one block off the town’s downtown area and on the main highway coming through town. It angered me. The town screwed him. Urban renewal destroyed my hometown as I knew it, and took the only livelihood I could remember my Dad having. For God's sake, what was he going to do?
My intellect tells me nothing stays the same, but my heart believes nothing changes. The man who just yesterday swung me into his arms when I ran to him yelling “Daddy, Daddy” might be dying. It was hard to fathom. I haven’t heard a word of what Jim’s been saying for several minutes. Blanking out a conversation like this happens to me a lot. “Tell you what Jim. You’ve been there when I couldn’t. Let me go up and see what is happening. If things look really bad, I’ll call you. Okay?” We exchange a few more words and hang up.
Dad and four of his five kids -- that's me on the right. |
Bill has been listening. He has to work and can’t come with me. I’m grateful because I want to be alone on this trip, I prefer experiencing my sad moments in private.“Give me the phone and I’ll get you tickets.”
After Bill gets the tickets, I call my new employer and let him know I’d be gone. A few hours later I leave Lambert Airport in St. Louis headed for Metro in Detroit. After reaching Detroit, I’m an hour's drive from home in Fenton. The small post-war brick house looks the same, a little shabby, but welcoming. Mom looks the same as my last visit: worn, her dark brunette now silver-white. Her eyes are sad, but she is glad to see me. The last few years show. You have to respect someone giving up everything to care for another person. I always think I subconsciously suspect them too; wonder if I could do it, would do it; maybe, but grudgingly.
Juli, Patty, and Doug, and his wife Jan are there, the hometown family. I remember Jan lost her mother not so long ago. I wonder if I remembered to send a condolence card; hope I did. I’m so bad at carrying through on social graces. These are the ones who carried the brunt of family concerns, visited the hospital, planned holidays, birthdays, done the day-to-day things only they and Mom know about--like mow the lawn, paint the house, fixing this or that.
He is laying in the small family room on a hospital bed. It began as a bedroom he had built on after the house’s original two bedrooms were inadequate with four children. One more would come, but Jim would be graduating and joining the Navy shortly after that. Pat and Juli enter. I suddenly realize I’m involved in a death watch. It seems so totally archaic. I want to leave. I don't want people, family, to watch me die. I am embarrassed for myself, nervous, and uncomfortable. You’d think I was the one waiting to die.
I stand by the bed looking at Dad. Mom says he has been dozing. A sheet covers him. His oxygen tube is missing. He must not need it any longer. His eyes open. "My God, Robbie!" he says half rising and then collapses back into the bed. His eyes close and in minutes he is asleep. I say nothing. What am I supposed to do? I greet Jan. I love incurably kind and comforting Jan. She can keep a conversation going with such ease. I suppose it’s a good thing. Doug can be very reticent. As can I. We talk, our voices low, around a sleeping man. Mom says, “Go ahead, Robin, talk to Dad, he can hear you.” I am speechless. What could I possibly say in front of everyone? The kids are fine, bla, bla, bla.
Meaningless drivel? The often trivial deliberation involved in everyday exchanges? I say nothing. Hours go by in which Dad remains the same. We change rooms, move to the tiny living room and conversation normalizes with the general catching up between visits too far apart. Funny things that have happened, kids have been kids. We laugh. We’ve done this every time I’ve visited. It’s familiar, it’s normal. Mom perches nearby, fluttering between the bedroom and the living room.
Dad's common phrase was, “Feel fine, couldn’t be better,” even when he could hardly draw a breath. Even to the doctor. Even to his daughter. “Every day you wake up is a good day,” he’d tell me.
It strikes me there is a generation passing here. My Dad turned seventy-five in April, and never thought to see seventy. Five sisters predeceased him, all before reaching sixty-five, most from cancer. They lived harder lives than I have had to live. I remember my Dad speaking of his Dad bringing home a bag of potatoes or a fifty-pound sack of oats in payment for a day's labor. That’s what he and his sisters ate that week. His dad took his children frogging and sold the frog legs for two cents each to Detroit restaurants. When Dad told the story it was an adventure, but actually, it was scrimping by during the Depression. He had a baby brother lost to measles. My Dad was lucky in many ways to have lived this long. He had been on duty Sunday morning at Hickam Field in the middle of Pearl Harbor, Hawaii, on December 7, 1941.
More hours pass. Evening comes. Mom insists on making dinner. No one eats much. I try sleeping on the living room couch and hope lack of sleep doesn’t bring on a migraine. I don't know where everyone else is. Occasionally, voices drift into my bouts of sleep, waking me. Midway through the night, I give up trying to sleep.
Juli is sitting with Dad. She has been giving Dad pain medications, coaxing them down a throat that is probably only working by reflex. “No. He swallowed them himself,” she says. “He seems to be doing better.” She gives him water. I look at Dad remembering the horrendous coughing, the excruciating pain, the emaciated body; all part of emphysema. He doesn’t cough now, just breaths very lightly. How much weight can you lose without dying? I bet Dad doesn’t weigh a hundred and ten pounds. I decide not to call Jim, but I hope Dad doesn’t wake, remembering he can’t even sit comfortably. The cartilage between his bones is gone --that cushion that makes moving, sitting, or standing endurable. Maybe I’ll call Jim in the morning. Let him sleep for now. I draw a chair up next to Juli. She talks and I guess I do too. She has seen lots of death. She worked on the oncology floor at McClaren Hospital in Flint for years before becoming a surgical nurse. Couldn’t pay me enough to do what she does, but Juli seems to love it.
Doug comes in. He stands at the head of Dad’s raised bed and whispers in Dad's ear for several minutes. He pats Dad on the shoulder and says, “Fly with the eagles, Dad.”
Doug returns. “I called Jim.” Oh shit.
“Told him death was eminent and Dad would probably be gone before he gets here.”Not true. Dad is doing better. His color even looks better. Don't tell me he is going to do this again. I’m afraid to even contemplate it. Could he pull through? I feel buoyed at the thought but counsel myself to expect the worst. I try calling Florida. No one answers. Jim must be on his way.
The hours pass. I am tired; feel the cold, shaky burn of exhaustion radiate through my abdomen, through my bones. So does everyone else; I can see it in their faces. I realize I probably look as bad as they do. Can’t sleep—don't want to, anyway. Want to be somewhere else. We gather around the bed again. Everyone takes turns talking to Dad. I finally blurt out something meaning I love you and burst into tears. That was unexpected. I cover my eyes with my hand and pull myself together. Now my jaw aches.
Nine o’clock in the morning. Jim and his wife Gail arrive looking duly sober. I meet them at the door, Juli and Pat are close behind me looking over my shoulders. “Come and say hi to Dad,” I say. Jim blanches white. They come in and sit in the living room. I explain what has happened, while everyone talks at once. Even Juli thinks Dad looks better.“Damn,” Jim says. “Damn. They put a notice on the board at work, Jake's Dad is dying. Collected money. Lots of money. What am I going to tell them now?”
“It’s going to happen, you are just here early,” Mom tells him. Jim slowly recovers from the shock. “You know, Robbie, paybacks are hell.”
“I didn’t know how else to tell you.” Bane of my life, blurting out whatever, but calling him was not my fault. Two hours later Mom comes and gathers us. “It’s happening.”I wonder if Dad wants everyone watching him end his life’s journey. I don’t. Give me privacy. I think of a friend who died walking home from trout fishing. I wonder if he missed seeing or hearing his family one last time? Wonder if he looked up into the sky for a last glimpse of sun and clouds. I think that’s what I’d like to see. Let my family remember me when we last had a good conversation.
Juli, Patty, Doug, and Mom crowd around the bed, talking to Dad. They urge Dad on. Urge him to make the final transition. I know Dad wants this, wants to escape from the pain he has hidden for years from friends and from us. Mom is great. “Go John, just let go, fly with the eagles.” He still fights, drawing breath after breath.
“It’s over,” Mom says, “he’s gone.” It seemed like there was a collective sigh of relief. We leave the room, each trying to find a moment of privacy. I feel myself crying. Mom hugs me, and Pat. I hug them back. “I’m not crying for him, but for myself,” I explain.
Things settle down to a sniffly, teary, depleted silence. Except for Mom. She rises babbling a list of things she must do. Call Hospice. Call this person or that person. Her way of dealing with her grief. Hours pass. The body can’t be taken by the funeral home until the Hospice nurse arrives and determines if the coroner should be called. The coroner? Yes, Hospice patients are allowed to die at home, but no one is supposed to help them along. It’s several more hours before the nurse can come.
“You’re sure?”
I’m getting antsy with the body still lying in the house. Don’t know why, Dad is beyond pain or caring. The hearse from the funeral home doesn’t arrive until five, and it is already dark out.
Where Jim gets his twisted humor, I suppose. Then I think of Dad dying on Halloween. He would enjoy that. Something within the genes, then. I often feel I am the only humorless one in my family. Never thought up really good pranks, never enjoyed those played on me.
One arrangement held small paper crows among the flowers. Dad believed one crow, among the many who came to eat bread dough gone wrong that he dumped in the backyard, was his dad, Carl. He called them Carl and the boys. Later, when I eventually arrived home in Missouri, and we got out of the car in the driveway, for the first time I noticed a crow sitting in the tall sycamore tree in our backyard. More deja-vu.
Wednesday was strange. The funeral home is full. I don't count the numbers, it doesn’t matter, but it is noisy, the room filled with talk, even laughter. No hushed viewing this. Laughter frequently bounces off the walls with some tale about my father’s past doings. I walk by the adjoining funeral parlor. It is quiet and somber; a child’s funeral. I think how hard it must be for these mourners to hear even the muffled noise coming from the adjoining parlor.
Paybacks are hell. |
Saturday, September 18, 2021
What Do I Like to Write?
This month's round-robin is on what other genres, besides novels, do I like to write. Well, storytelling is what novels are about, and I like to write in the genres of science-fiction, fantasy, historical, and romance. While my stories can have a question or mystery involved, I don't think I would be good at writing a mystery novel. I do like to read them, though. In the fiction arena, I also have tried short stories and some flash fiction which tends to cover that ah-ha moment.
Yet reality calls to me, too. I like writing personal essays which also give me the chance to be creative, although in non-fiction, truth, as it is known, should prevail. Everyone has events in their lives or the lives of close ones that need to be shared. These can range from tragic events that can help others in similar situations cope with their problem, to family stories such as "The Pin" which I wrote about and investigated, or another post "Who Was Edna Ruth?" about my grandmother. Other stories can involve family memories which can seem like fantasy stories to readers but might also help bring back memories of their own past. These can also give warnings or cures to upcoming generations about problems they might face. These can be personal, family, or community events. Currently, the media has recalled many 9/11 memories of those personally involved. Personal narratives not only help others cope but also help keep a record of history.
I also like to write informative articles which range from book reviews to 'how-to' articles, which most of these round-robin articles fall into. Writing letters use to fall into this category, but few people now send letters as they prefer to make calls, texts, or emails, that are faster, easier, and more personable. However, the information is lost once the call is finished. It is from my father's letters that I learned what it was like to be a soldier in WWII, and letters throughout history have given readers new insight into that time. This type of communication includes diaries.
I don't know how many people write in diaries today but I have periodically written my life's events since the early 1980s. Now I can go back and read about many things that happened that I have forgotten.
Please visit these authors and read about their thoughts on this topic:
Saturday, August 21, 2021
Similar Character Habits and Words?
This month's round-robin topic is if the character in different stories share habits or favorite words. I have to say, yes, some of mine do. It probably has to do with how my mind works.
Check out these author's take on this subject:
Saturday, July 17, 2021
Throwing Away Words
Writing is often hard. Thinking up words and writing them down takes mental energy and time. Throwing them away can cause me doubts such as am I sure this is the best thing for the story? Have I deleted wording? Yes! Not only paragraphs but sections of numerous pages. Of course, the decision to remove wording is because I think it will make a better, more unified story. Not a few word changes in a sentence for clarity, but discarding several sentences, paragraphs, or even pages because they do not add to the reader's knowledge of the character, the plot, or the setting. Leaving those sections of wording in, no matter how large or small, makes the story ramble and may create disinterest in the reader so they quit the story.
The writing process requires me to think about the story's purpose. Thoughts like: Where is the story going? Does this section add understanding of the character or expand their character? Or does this character need more clarification or purpose? Are they needed? Sometimes it raises the question should I change the plot and purpose?
Either in the writing process or editing process, when a section slows my reading I ask myself what is its purpose? How does this wording affect the plot or the character development? Or does this wording add to the setting?
I do keep ejected wording in a separate document just in case I change my mind, but I have discovered I usually don't. I have never thought whether that wording might lead to another story or work in another one in progress, but maybe I should have.
When the words involved do not apply to the plot, setting, or to the
development of the character, it's just wordiness. In that case, it's better for the story and for the reader to get rid of it.
Sunday, July 4, 2021
In Defense of Home World Aginfeld
One reader's comment about Home World Againfeld called the story trash and spoke of repeated rape of the heroine character because she was forced into the marriage, and when the female said she loved her husband, it was a case of Stockholm Syndrome, plus that the colony should have been annihilated. Well, okay, everyone has the freedom to voice their opinion. I have no problem with that… I also have that freedom.
My science fiction stories are often laced with facts from history, and how, if something has happened once, it can happen again.
Yes, the heroine, Alix, is forced into marriage. She agrees because she is under a death sentence for robbery. Today the United Nations (UN) and many countries state that forced marriage is a type of slavery where unwilling participants are joined in a binding ritual. I believe this.
The Universal Declaration of Human Rights was adopted in 1948 by the UN General Assembly and according to Wikipedia, "Is an international document that enshrines the rights and freedoms of all human beings. It was accepted by the General Assembly as Resolution 217 during its third session on 10 December 1948 at the Palais de Chaillot in Paris, France." Since then the UN Human Rights Council in 2013 has adopted documents against childhood marriage, or an early or forced marriage.Same with slavery, the first slaves arrived in the North American continent in 1619 at Jamestown, Virginia. Slavery was a major issue of the Civil War and was abolished on September 22, 1862), which led to the 13 Amendment to the U.S. Constitution. Even that was delayed in Texas until June 19, 1865, which became the Juneteenth celebration. While it was abolished, racism still remains a huge problem. Some of it resulting from slavery and racial profiling. And slavery is still prevalent in the U.S. in the sex trafficking industry. This only goes to show you that what has happened in the past can reemerge. Those types of circumstances are clearly defined in the story Home World Aginfeld.
So why is it happening in the story of Home World Aginfeld? Didn't the reviewer read the story? The colony is under attack by the Colonial Pact, the very company Earth governments established to help supply colonies so they could survive on alien planets until the population could bioform their world into a living outdoor habitat. The Colonial Pact stored some of the colony's human embryos until Aginfeld's population could leave their ten constructed habitats. After the embryos were requested back by Aginfeld, within years the colony knew the embryos had been altered, causing sterility. Now the colony's death rate is higher than the birth rate. As the planet is nearing a finished bio-formed world, the Colonial Pact is waiting and instigating problems that will lead to the colony's dying out... meaning the Colonial Pact will claim and sell the planet's land for staggering profits.
Yes, the heroine was forced into marriage, but she also initiates change within the colony. In the end, the heroine's husband lets her go, but she chooses to return.
Lastly, if past problems and situations are not exposed in writing, whether in fiction or non-fiction or if the situations are wiped from history's recall, their consequences will be forgotten—until they reoccur.
Saturday, June 19, 2021
Keep it, change it, or delete it? Writing in progress.
This month's topic is about how do I recognize and overcome plot problems or failures? It doesn't matter whether you are a pantser (just start writing and keep going until you finish) or a plotter (plan out everything before beginning to write) the story can change.
First off, I'm a bit plotter and a bit pantser. I start
out with an idea but perhaps not an overall purpose, think about the characters
and their personalities, and some of the pitfalls they will encounter in the
story. It is usually a thread that keeps weaving through my mind until I start
writing. Once I start writing, the rest just seems to happen, but during that
process, the purpose or goal may change several times.
Continually rereading and rewriting 'finished' sections
and chapters as a story progresses through the writing phase helps me recognize
plot problems or deviations and allows me to change them before they become
obstacles. While doing these multiple rereadings I often come across passages
that need fixing or eliminating. Some sentences or paragraphs serve no function
or the function I want them to, however, as an author, I can become too involved
in my writing and miss important issues.
What types of issues?
Well, I know all description is important as it describes locations, character actions, and the character themselves. It also reaches out to evoke the reader's senses, helping pull them into the story. But too much can overwhelm the purpose and even bore the reader. I need to ask myself if it is expansive enough to explain but succinct enough to not crush its purpose.
I also like to check the waves of tension and drama within the story, releasing them to rebuild again which also allows me to give subtle hints of forthcoming trouble through situations or character introspection. Sometimes some information needs to be deleted.No wonder my eyes are worn out.
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Saturday, May 22, 2021
Does Writing Change the Author?
I do
believe my writing has changed me in many ways, starting with how it has
expanded my mind no matter what genre I'm writing. I think having to make up
characters and their behaviors helps develop empathy, especially the characters
with bad intentions because I have to think about what made them behave the way
they do. It also has expanded my ingenuity since I have to think about
different situations and how I can make them relatable, compelling, and
sometimes unique.
Writing a
fiction story requires imagination, but every story also needs a basis in
reality. After all, writing a story means creating believable characters and
how they interact with other characters. It requires the writer to ask
themselves questions about what will happen in the story. How will the
characters react? What will result from their actions? How will they overcome
their adversities? For this, authors must develop empathy for both their good
and bad characters to make them understandable to the reader.
Writing often requires research, even for fiction. I've had to
research Michigan police from city to county to state levels in requirements
and practices. I've investigated quantum physics and how to bioform a planet,
along with how would a spaceship work. I've also researched history for Constantine's
Legacy. So I learn by writing, too. Interestingly, writing also helps
memory.
Even writing a creative non-fiction narrative or an academic essay
requires digging through one's memory and doing research. So writing exercises
the brain and helps it stay healthy.
Mental growth is probably inevitable for writers. Studies of the
brain have shown both reading and writing involve different regions of the mind
working together, so, at the very least, writing is a good brain
exercise.
Neuroscientists have also studied the effects of writing and reading on the brain. The online article "Creative Writing and Your Brain: The mind works in mysterious ways when it is creating a fiction story, by Jenni Ogden, PhD., in Psychology Today (2013), one line caught my attention. It said: "Creative writing is one of the best exercises we can do for our brains." Interesting as it kind of supports my comments. This is after explaining that the brain does not construct the mind but cooperates with the body to 'create' our mind and help us build memories.
Writing has also changed my physical world, allowing me to become
an adjunct professor teaching academic writing. Yes, I had a degree in business
communications, but the fact I was already an author had an effect in my hiring,
too. So reading and writing always achieve something!
Please read the following author's views on this topic:
Saturday, April 17, 2021
Naming a Story's Characters
This month's round robin is about how each author chooses the names for their characters. In real life, names can be odd identifiers as spellings change and odd names occasionally show up.
So based on real-life names, fiction names can have a wide swath of usage.
From all of my reading, I know character names are important. In some instances, they can indicate the period or place of the story's setting, or the ethnicity of the character.
My first caveat in naming characters for me is to not use the name of anyone I know—no family members or friends' names unless they are very commonly used names. But, if I did want to use their name, I would certainly ask if it was all right and describe the character to them. Do I think they would be upset or offended if I used their name? Maybe if used without permission. Yet as mentioned some names are so common that with a different surname the character would be just another person with that name, so it would be okay. While I know many people named Tom, I've used it in a story, but he was an honorable character and, of course, had a different surname. Come to think of it Tom might have represented my now deceased uncle.
It's my evil characters that I try to avoid offending anyone I know by not using their name. Usually, that character receives an entirely made-up moniker.
In my Aegis fantasy stories, the character naming is different. I've researched many historical names and now have a thick folder of names by country and ethnicity. In it, I found Celtic names seemed to fit my characters best. This is odd because my son just did 23andMe and found out we are 80% Celtic.
Many of my characters in my science fiction books are also made up although I'm sure some historical names used today will also be used in the far future. The key in made-up names is to make sure the spelling clearly expresses the pronunciation.
That's why I use my folder. Luckily, for my historical book, Constantine's Legacy, I already had a list of Frankish names. The problem is they can be hard to pronounce.
Even with these caveats, I can search for names that just seem to fit my characters.
Skye Taylor
Anne Stenhouse
Victoria Chatham
Beverley Bateman
Helena Fairfax
Dr. Bob Rich
Marci Baun
Judith Copek
Connie Vines
Fiona McGier