Writing is seldom easy, and the difficult parts can span a wide range of issues. My most frequent issues deal with things like a temporary shortage of ideas, displeasure with the story's current trajectory, and deciding how far a character will go to get what he or she wants. While some scenes seem to write themselves, others are problematic, displaying empty white space on the screen staring back at me while I think of how to handle a particular situation.
While I start out with a plotline, my last round-robin blog post showed me once I start writing, anything goes, which is where I often run into trouble. I change scenarios, new characters pop in, and my main characters change their minds or make dumb choices.
Questions always abound. What is the next step to take? Should it be a logical expectation or something unexpected? What else might happen? How can bizarre events be linked logically together into the storyline? Will such a change paint the story into a dead-end corner? Is the dialogue meaningful to the story, show something about the character speaking, or just babble? How do I transition from this scene to the next scene? For that matter, when should a scene end? What happens next? Answering these types of questions is the only way that allows me to move the story forward.
One reason I have trouble with contemporary themes is that technology is changing so fast and not mentioning something correctly, not only in a social context but also as used, can affect a reader's belief in the story.
I have left some stories without an ending, whether from lack of incentive or something else that has called me away--usually another story. Often I return later, sometimes a long time later, because I never like the idea of giving up on a story. Writing takes a lot of time and work but if something can be saved and continued, I'll keep trying.
Visit the following author's posts to read their thoughts on this topic.
Dr. Bob Rich
Marie Laval
Connie Vines
Beverley Bateman
Marci Baun
A.J. Maguire
Helena Fairfax
Anne Stenhouse
Diane Bator
Fiona McGier
Skye Taylor
Margaret Fieland
Victoria Chatham
While I start out with a plotline, my last round-robin blog post showed me once I start writing, anything goes, which is where I often run into trouble. I change scenarios, new characters pop in, and my main characters change their minds or make dumb choices.
Questions always abound. What is the next step to take? Should it be a logical expectation or something unexpected? What else might happen? How can bizarre events be linked logically together into the storyline? Will such a change paint the story into a dead-end corner? Is the dialogue meaningful to the story, show something about the character speaking, or just babble? How do I transition from this scene to the next scene? For that matter, when should a scene end? What happens next? Answering these types of questions is the only way that allows me to move the story forward.
One reason I have trouble with contemporary themes is that technology is changing so fast and not mentioning something correctly, not only in a social context but also as used, can affect a reader's belief in the story.
I have left some stories without an ending, whether from lack of incentive or something else that has called me away--usually another story. Often I return later, sometimes a long time later, because I never like the idea of giving up on a story. Writing takes a lot of time and work but if something can be saved and continued, I'll keep trying.
Visit the following author's posts to read their thoughts on this topic.
Dr. Bob Rich
Marie Laval
Connie Vines
Beverley Bateman
Marci Baun
A.J. Maguire
Helena Fairfax
Anne Stenhouse
Diane Bator
Fiona McGier
Skye Taylor
Margaret Fieland
Victoria Chatham